- Runners obviously rely on their bodies to run and race. The skills developed while training for a race are similar to the rehearsals an actor would be in while learning choreography for a musical. While every race is different (weather, terrain, distance, goals), shows will vary in style, the size of the stage, athleticism and skills required, and obviously muscle memory. Like a marathoner out there knocking out 20 milers in preparation for race day, a dancer may spend hours per day learning and perfecting the choreography. With years of wearing the dancer and sometimes choreographer hat, I always think of my long runs as “dress rehearsals” for race day.
- A bad rehearsal can make for a great opening night – and a bad long run can prepare you for a great race! Bad long runs can be extremely frustrating, but it’s better to iron out any kinks in practice and not on race day, and to learn from mistakes. Actors learn this lesson and don’t let it shake them.
- Improvisation sometimes happens on the race course. Even an actor who is not improv-trained has had to improvise on stage at some point. When you need to go off script, it is perhaps the most spine-tingling, raw and risky moment you can have on stage. If you are a stage actor, you’ve done it and survived to tell the tale. Though we never want to improvise on race day, run races long enough and it will happen to you. Maybe your Garmin will decide to reset itself in the middle of a marathon, or something in your tummy suddenly feels terrible. Being able to stay mentally cool and improvise your original plan can save your race. Thankfully, us actors usually make really good improvisers in every other aspect of life – including races. I always tell my athletes that if/when something doesn’t go according to plan on race day, DO NOT PANIC.
- Unlike acting, you usually get when you put into training. Things can certainly go wrong on race day, but there are few factors out of a runner’s control. As an actor, when you walk into a casting, all you can control is how you look that day, feel, and how prepared you are to sing, dance or act. Unfortunately, there are many more factors than talent that go into being cast. Costume size, height, age, how do you physically fit with the other cast members, voice, head shot, do you remind that casting director of an ex-girlfriend, do they happen to hate your wardrobe choice or song choice – being “prepared” only takes you so far. But in running, being prepared is so much of the success.
- An actor’s body is her instrument. Her voice and body is the vessel in which characters come to life. When injured or ill, the performance or audition suffers. Having attended a music conservatory (one of the best in the country, actually!), vocal health was extremely important. Like that performer, a runner’s body is their instrument. Caring for it and tending to minor and major issues needs to be something the athlete is proactive about. I’d like to think that much of what I learned and was instilled in me as a vocalist and dancer has made me a wiser runner than I’d be without those years of becoming very physically self-aware.
- Actors and athletes are both judged by appearance. In an audition, you’ll often feel eyes on you in the holding room, as your competition sizes you up. To be fair, we all know that looks are one of the factors in the casting process (as mentioned above). I’ve also found runners and their potential is often judged by how fit they are, or what they are wearing in a race. I’d be the first to admit that if a gal shows up in racing briefs, I expect her to be FAST. Personally, I don’t think I have any business wearing racing briefs – I stick to short racing shorts – as racing briefs, in my opinion, are for the folks out their smoking the competition. Then again, I have been smoked by gals in loose and long running shorts, and have left gals in racing briefs in my dust – so it goes to show that appearance can mean nothing. Sadly though, many runners are frequently told by other folks that “they don’t look like runners.” I hate that. I won’t rant on the topic here (I have a past blog dedicated to the topic), but I will say that runners are frequently judged by appearance.
- As an actor, tech week is followed by performances. At some point, those performances come to an end. There may sometimes be some relief when a show closes, but there is almost always some sense of loss. A chapter (and paid gig!) has ended, and so the actor is often left saying “okay, no what?!” Runners experience something similar. Unlike the zaniness of tech week, we get a taper – though mentally the taper can feel like a mind fuck. Then race morning arrives, you are ready to rumble and finally put all that hard work on the line. Once you cross the finish line, that race is gone. Whether elated over a huge success or defeated by the race, there is usually that sense of loss and directionless wander.
- Rejection is a huge part of acting. I’d guess that most actors have to attend 50-100 castings for every booking. That’s a lot of “no’s.” Actors either find a way to develop tough skin and embrace every audition, or they perhaps take it personally or begin to resent the process. There’s a reason why so many actors abuse substances or are in therapy – it’s tough! As a runner, the higher you set your goals, the greater the risk you’ll fail. While I can’t say I love rejection or failure, the rejection from acting has somehow made failure as an athlete easier to swallow. I don’t let it define me. Though it does definitely still sting.
- Being an actor is quite possibly one of the hardest jobs out there. Not because you need to be a genius, or the greatest gift to mankind, but because so much of your “work” offers no or little reward. You are constantly in training and honing your craft (not cheap!), preparing and attending multiple auditions per day, all while finding a way to afford living in an expensive city, looking your best, and staying marketable. Training for an ambitious race goal, usually while juggling work, family/friends, and probably a half-dozen other things isn’t unlike being an actor. And the more seriously you take it, the more challenging it is. It takes a strong work ethic to be a competitive runners.
- Sometimes you simply need a break. Acting can be exhausting. Luckily, there are usually “seasons” in the casting world. In theatre, for example, Spring is always really busy. Autumn can be really busy, too. A stage actor may get a little break from the grind in Summer and Winter – which are good times to hop into intensive classes or take a break and travel. Television actors deal with pilot seasons, commercials work in seasons with advertisers, and films shoot year round. Yes, as an actor, you could dabble in all fields and never get a break. The same is true for the runner. A runner may hop from cross-country season to into track, to marathon training or trail running – there is always something you can be training for. However, an “off-season” of some kind is always a good thing. It helps recharge the body, brain and focus. Don’t be scared to take an off-season – even if it’s just a few weeks.
- Actors get to play all different kinds of roles, which is really fun and exciting. Runners get to train for and race all different kinds of races, varying in distance, terrain and goals. Both acting and running gives me the opportunity to constantly mix things up.
You may find that perhaps your hobbies and career have many similarities to your training, goals, and relationship with running. If you are in a running rut, looking at perhaps how you attack your job or hobbies and perhaps that will help.